About Sharéa Harris

The work has always been the same.

The tools have changed; the rooms have changed. The question hasn't.

The Through-Line

GlowStrm exists because the problem is rarely a lack of effort. It is usually a gap between what someone means, what the room hears, and what the message can hold under pressure.

Sharéa has been in rooms where someone had something important to say and couldn't get it out. Not because they didn't know their subject. Because the gap between what they meant and what landed kept opening up: in the writing center, in the classroom, in the briefing room, in the pitch. In federal agencies. In artists' studios. In bookstores. In organizations doing work that matters, at scale, with real stakes.

Sharéa's career spans institutions, disciplines, and registers:

Sharéa applies message architecture at the organizational level, leading stakeholder communication strategy, conducting communications audits, and building alignment across complex teams and high-stakes initiatives.

Sharéa worked with artists, fellows, and mission-driven creatives to sharpen their language and amplify their work. She consulted with a 2023 United States Artists Fellow in crafting their artistic narrative, and served as Developmental Editor for food designer and activist Krystal C. Mack of IAO Studio. Sharéa contributed substantially to the script for Profound Pixels' musical documentary This Is My Black, writing large sections and reorganizing the narrative for clarity and direction, a production that earned an NAACP nomination and multiple independent film festival awards. She also worked with the founder of Lenoir-Rhyne University's Equity and Diversity Institute to refine their organizational voice, branding, and web copy.

Sharéa increased Writing Center engagement by 90%, built curriculum for engineering students learning to communicate technical work, and led the MGSP Equity Initiative, recognized with USNA's On-the-Spot Award. She created and facilitated a three-part Multilingual Writers training series for peer tutors, and developed embedded workshops for historians and aerospace engineers, including a technical writing and lab report workshop drawn from NASA genre conventions.

Audited messaging across undergraduate, graduate, and global studies programs, and held the line on brand consistency as a member of the UMBC Brand Ambassadors community.

Sharéa taught graduate students, researchers, and medical professionals in writing and research communication. As Multilingual Faculty Fellow (2023–2024), she supported peer tutor development and participated in the Baltimore Writing Center Project as a guest organizer.

Sharéa taught the full composition sequence (WRIT 100, 101, 200, and 300) in face-to-face, hybrid, and online formats, supporting 500+ student portfolios. She developed and taught a funded Honors course, Redefining the Narrative: Research and Writing Tools for Metaliteracy. She also served as Interim Writing Center Director, overseeing staffing, CRLA tutor training, and programming. She taught in Cuba as a Graduate Teaching Assistant and worked as a Graduate Writing Consultant supporting the launch of the Writing Fellows Program.

Sharéa holds an M.F.A. in Creative Writing and Publication Arts, Poetry concentration, summa cum laude, from the University of Baltimore. She is a certified Strategic Communications practitioner through PRSA, with completed modules in behavioral strategic planning, stakeholder research, behavioral science application, goal-setting, tactics, and measurement.

On Workshops

Sharéa has been creating and facilitating workshops for over a decade, including for writing tutors and military midshipmen, for creatives in bookstores and libraries, for historians and aerospace engineers. She has facilitated at the Baltimore Book Festival, presented at the Mid-Atlantic Writing Centers Association on Black academic identity, and brought public creative workshops to Enoch Pratt Free Library, Greedy Reads, and Femme Fatale DC through her Moonlit Workshops series. Building the learning experience is part of the work; it always has been.

What clients get from this background

  • Someone who can hear where the structure is breaking, not just where the sentence is weak
  • Someone who can see how the room is changing the meaning — boardroom, funder, team, public
  • A message foundation that can travel without you in the room

The through-line in all of it: the problem was never the writing. It was always the clarity underneath it.

GlowStrm is the natural evolution of work Sharéa has been doing across every room she's occupied. The institutions changed; the titles changed; the core didn't.

What she learned across writing centers, classrooms, studios, and briefing rooms is this: the people who come in already carry wisdom, experience, and authority. They are not empty. The gap is never about what they know; it's about what happens when they try to get what they know into a form that travels. That's always been the work. GlowStrm is just the first time it has its own name.

The Thought Doula™ service has a specific origin. Long before GlowStrm existed, Sharéa described her approach to working with writers as acting as a Thought Doula™, supporting the process of bringing something from thought to page. That framework didn't start as a product; it started as a practice. GlowStrm built a container for it.

And the first time the pricing reflects what the work is actually worth.

Before Sharéa was a strategist, she was a poet. She still is. The M.F.A. was in Poetry. The practice is ongoing: in publication, in performance, in playwriting. That's not a separate track from the communications work; it's the foundation of it. A poet reads language the way other people read faces. Sharéa knows when something is off before she can name why.

Sharéa's creative work has appeared in The Black Love Book (Soft Savage Press, 2023), PalatePalette (HomieHouse Press/IAO Design), and The Tiny, among others. She has performed at the Baltimore Book Festival, the Modell Lyric, and the Enoch Pratt Free Library, and presented at the John Hewitt Society International Summer School in Armagh, Northern Ireland. She is an alumna of the Horticulture Playwriting Fellowship (2022–2023), the Emerging Voices Project, and the NEA Big Read, serving on the planning committee that brought Claudia Rankine to Baltimore, supported by a $15,000 grant.

This is why the listening in a Thought Doula™ session or the reading in a Messaging Audit isn't just analytical. It's also trained. Sharéa has spent years paying close attention to what language is doing underneath what it says. That's the work. In any room.

M.F.A., Creative Writing and Publication Arts
University of Baltimore · Poetry · Summa Cum Laude
Strategic Communications Certificate
PRSA (Modules 1–6)
CRLA Certification
Level III Master Tutor
NEA Big Read — Planning Committee
$15,000 grant · Claudia Rankine, Baltimore (2018)
On-the-Spot Award
United States Naval Academy · MGSP Equity Initiative (2021)
Horticulture Playwriting Fellowship
2022–2023 Cohort
Published Poet & Playwright
Soft Savage Press · HomieHouse Press · The Tiny · and others
Writing Specialist
United States Naval Academy (2019–2022)
Interim Writing Center Director
University of Baltimore (2017)
Multilingual Faculty Fellow
UMB Writing Center (2023–2024)
Composition Instructor · WRIT 100–300
University of Baltimore · Honors: Rhetorical Frameworks of Museums
Writing Consultant
10+ years across academic institutions

Ready to find the gap?

If the work sounds familiar — the stakes are real, the message isn't landing, and you need more than better words. Reach out. Four clients per quarter; I'll tell you directly whether it's a fit.